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July 2008 Issue
The meaning of political art: from an artist’s
standpoint
By Geoffrey S. Crowell
Political art is a genre that is seen all
over, in newspapers, editorials, museums, and even inside the
White House. Some are known for their simple humor, based on
that person,
place or thing, as other forms are known for having an in depth
intellectual meaning on that particular topic. So in general,
what is the true meaning
of political art? Does it signify a deep meaning, which will
require time to solve, or is it simpler than it looks? The
fact of the matter
is it can be both, and not only that, but also descend into many
different directions.
Portrait of U.S. President Lyndon Johnson
In
an artist’s
perspective, the true meaning of political art depends on that particular
artist, and what kind of art it is. If the political art leans more
on the traditional approach, like paintings, the meaning could be as
in depth as the artist makes it. As artists, we have our own style
of opinion and perspective, and the particular work can be as detailed
as Lyndon B. Johnson’s presidential painting holding a book,
or as simple as two abstract brush strokes on the whole canvas,
with the artist saying it represents the Two Towers of 9/11. We artists
were trained to signify our own special meaning within our works.
The
meaning can be simple, but to some, the fun part is to make the
meaning deep enough for the viewers to guess what the piece truly means.
Now, if the political art leans toward the editorial side; a
cartoon, a poster, or an ad. It is however, simpler than you
think. Even though the look of it appears to have a deep meaning,
but to the
artist, especially the ones who produced the work, it hardly
gives a meaning at all.

“ I Want You” recruiting
poster by J.M. Flagg
The concepts of ads and posters are a great
example. Take the very famous Uncle Sam Poster, “I Want You,” created by
the artist, J.M. Flagg. Now the question is how did he come up with
this concept that impacted the whole country during the war? Very simple.
He just drew a picture of himself and then incorporated the “legendary
tale” descriptions of Uncle Sam, thus making himself an elderly
man with white hair, wearing red, white, and blue with a top hat. Not
to mention the “I Want You” idea came from a previously
made ad from the British army.

Briton’s “I Want You”
In
the editorial cartoon aspect, an artist creates them solely based
on what current event is going on or what the particular topic is.
Why
do you think the presidents, or any politician, always has some
sort of exaggerated feature, like Bill Clinton’s big round jaw and
cheeks, Nixon’s significant long nose, Ross Perot’s big
ears, or George W. Bush’s constant resemblance of a chimpanzee?
It is simply because the political cartoons are as simple as
any one of those people going to the town fair and buying themselves
a drawn
caricature. The same goes for any particular events that are
happening, oil, gas, or the feuding donkey and elephant representing
the Democrats
and Republicans. Those instances are always shown symbolically
in the cartoon, but shown simple enough where every person should understand
it, in addition to the fact that each cartoon has a bold label describing
that item.

Nixon, "unindicted
co-conspirator"
Published in The Washington Post, July 14, 1974.
There are many
examples that can be explained to signify the true meaning of
political art, but overall, this form can have all different
kinds of meanings,
not just one. What political art means from an artist’s perspective
depends solely on what the artist sees.
However, there are some cases
where the cartoon does have a deep significant meaning, and it
takes a viewer a while to try and figure out what the artist is saying
in
that particular work. Also, there’s a case where the concept
is only created by an editor or boss and he or she uses the artist’s
talents to produce the vision. There are some instances like
that, but in my personal perspective as an artist, the majority of
concept
comes from the person who produces, and that is none other than
the artists themselves.
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